Over the past decade, Meyer Riegger and Galerie Jocelyn Wolff have built strong networks in Asia through collaborations with institutions, collectors, and art fairs. In 2025, they unite to establish Meyer Riegger Wolff in Seoul, a new gallery dedicated to expanding their engagement in the region.
Meyer Riegger, founded in Karlsruhe in 1997 and later expanded to Berlin (2008) and Basel (2020), is renowned for its curatorially driven program. Initially focused on conceptual practices with artists like Meuser and Jonathan Monk, it broadened in the 2000s to encompass existential and performative works by Katinka Bock and Miriam Cahn. Its roster has since diversified further, adding Alexandra Bachzetsis, Ulla von Brandenburg, and more recently Tamina Amadyar and Alma Feldhandler, underscoring its commitment to emerging voices.
Galerie Jocelyn Wolff, established in Paris in 2003 and since 2025 located in the Matignon district, is guided by a rigorous and progressive artistic vision. It represents 22 artists, including Miriam Cahn, Franz Erhard Walther, and Katinka Bock, and is equally committed to historical avant-garde figures, notably through its stewardship of Marcelle Cahn and Imre Pán’s archives. Beyond exhibitions and international fairs, it provides secondary market services, reinforcing its role as a bridge between modern and contemporary art.
Meyer Riegger Wolff’s Seoul space occupies an orange-white concrete building designed by Korean architect Choi Wook and reconfigured by ONE O ONE Architects.
Throughout 2025–2026, the program will present a diverse roster spanning both galleries’ artists, from established figures like Miriam Cahn, Katinka Bock, and Franz Erhard Walther to younger names such as Alma Feldhandler and Tamina Amadyar. Exhibitions will foster dialogue across generations, disciplines, and media, situating historical practices alongside contemporary experimentation to engage critically with the global and Asian art context.